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Ed Ward

Ed Ward is the rock-and-roll historian on NPR's Fresh Air with Terry Gross.

A co-author of Rock of Ages: The Rolling Stone History of Rock & Roll, Ward has also contributed to The New York Times, The Wall Street Journal and countless music magazines.

Ward lives in Montpellier, France. He blogs at Ward in France.

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Music Reviews
11:06 am
Thu August 16, 2012

Autosalvage: The Psychedelic Band That Vanished

Autosalvage, a New York quartet, made one album and then stopped playing.
Courtesy of the artist

Originally published on Fri August 17, 2012 2:14 pm

A little over 10 years ago, a friend with a small record company in England called me and asked if I wanted to do liner notes for an album he was re-releasing. When he told me it was the Autosalvage album, I flipped. Of course I did!

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Music Reviews
11:16 am
Wed June 13, 2012

The Untold Story Of Singer Bobby Charles

Singer, songwriter and swamp-pop pioneer Bobby Charles poses for a portrait in 1972.
Michael Ochs Archives Getty Images

Originally published on Wed June 13, 2012 1:31 pm

When he was around 13, Robert Charles Guidry began singing with a band around his hometown of Abbeville, La., deep in the Cajun swamps. The group played Cajun and country music and, after he passed through town and played a show, Fats Domino's music. It was a life-changing experience for the young man, and he found himself with a new ambition: to write a song for Fats.

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Music Reviews
11:00 am
Fri May 25, 2012

James Burton: The Teen Who Invented American Guitar

Originally published on Fri May 25, 2012 2:11 pm

What were you doing when you were 16?

When he was 16, James Burton was inventing the American guitar. He'd been born in Dubberly, La., in 1939, and was apparently self-taught on his instrument. At 15, he cut a single backing local singer Carol Williams, and then one day he came up with a guitar riff that he liked. He took it to a singer from Shreveport he was touring with, and they worked out a song to use in his act. One thing led to another, and it wound up on a record called "Suzie Q," credited to Dale Hawkins, the singer.

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Music Reviews
10:40 am
Thu April 26, 2012

Howlin' Wolf: A Blues Legend With An Earthy Sound

Howlin' Wolf's masters from the Chess label have just been released on a four-disc set titled Smokestack Lightning: The Complete Chess Masters 1931-1960.

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Music Reviews
10:35 am
Fri April 6, 2012

Finding And Curating The Roots Of Soul Music

The Burden Lifters.
Tompkins Square Records

Originally published on Fri April 6, 2012 10:50 am

Some years back, I was driving across the South with a German friend, leaving early Sunday morning from Athens, Ga., and heading to Louisiana. I turned on the radio and found a black church service in progress, and a woman with a remarkable voice singing. "Who's that?" my friend asked. I told him I had no idea. "But with a voice like that, she must be famous," he said. Some miles down the road, when the station had faded out, he still didn't believe me.

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Music Interviews
10:17 am
Fri February 3, 2012

A Studio On The Road To 'Fame' For Soul Musicians

Ace Records

Rick Hall and Billy Sherrill were a couple of Alabama boys in their teens when they started writing songs. At first, the only place they had to record was in a room in the back of the Trailways bus station in Florence, Ala. But one of the songs they recorded there, "Sweet and Innocent," became a small local hit, and a guy named Tom Stafford read about it in the local paper. He built a recording studio above City Drugs in Florence and went into business with the two young men. It didn't last long: Sherrill was hugely ambitious and was soon off to Nashville.

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Music Reviews
10:17 am
Wed January 25, 2012

Long Live The Smiths' 'Complete Works'

The Smiths.
Wright Photo/Rhino Records

When Steven Patrick Morrissey was 13, he was watching The Old Grey Whistle Test, a BBC rock television show, when the New York Dolls came on. Later, he called it "my first real emotional experience." It was hardly his last: Growing up awkward, tall and shy in suburban Manchester, he was the archetypal kid who didn't fit in, writing poetry and letters to members of the British rock press, disagreeing articulately with their critics.

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Music Reviews
11:08 am
Mon January 9, 2012

Dore: The Little Studio That Could (Produce Hits)

Phil Spector.
Ace Records

Someday, some genius is going to do a Mad Men-type show about the little record labels of the late 1950s. Yes, I'll happily serve as a consultant.

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Book Reviews
1:03 pm
Tue December 20, 2011

The Story Of The Chitlin' Circuit's Great Performers

Cover detail

During the years before the Civil Rights movement got underway, segregated American cities helped give birth to a touring circuit that provided employment for hundreds of black musicians and eventually brought about the birth of rock 'n' roll. Today, rock historian Ed Ward looks at two books, Preston Lauterbach's The Chitlin' Circuit and the Road to Rock 'n' Roll and Fever, Susan Whitall's biography of Little Willie John, one of the Chitlin' Circuit's last stars.

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Music Reviews
10:58 am
Mon December 19, 2011

The Left Banke: Teenage Pioneers Of Jangle-Pop

Originally published on Mon December 19, 2011 11:24 am

If you were a New York teenager who played an instrument and wanted to be in a band, and all of a sudden British groups were coming to town and attracting rioting mobs of teenage girls, you might feel a certain urgency to get something together. Tom Finn had already had a band, The Magic Plants, when he ran into a guy named Steve Martin-Caro, a Spanish high-school student who recently arrived in the city, as they attempted to navigate the scene outside the hotel where The Rolling Stones' members were staying in 1965. The two became friends and decided to form another band.

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