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David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
9:51 am
Fri October 19, 2012

'The Sessions': Sex, Comedy And Something More

Living most of his life in an iron lung forces Mark O'Brien (John Hawkes) to see the world from a different point of view.
Fox Searchlight

Originally published on Fri October 19, 2012 9:53 pm

In 1983, Berkeley poet and journalist Mark O'Brien wrote an article about sexual surrogates — women and men trained to help people with disabilities learn to use their bodies to give themselves and others erotic pleasure.

For O'Brien, the subject wasn't academic. After a bout of childhood polio, he had spent much of his life in an iron lung. He could talk, and tap out words on a typewriter holding a stick in his mouth. He could feel things below the neck. But he couldn't move his muscles.

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Movie Reviews
11:38 am
Fri October 12, 2012

'Argo': Too Good To Be True, Because It Isn't

CIA agents Tony Mendez (Ben Affleck) and Jack O'Donnell (Bryan Cranston) plan a risky mission to save six Americans trapped in Iran.
Claire Folger Warner Bros. Pictures

Originally published on Fri October 12, 2012 12:01 pm

Ben Affleck's Argo is two-two-TWO movies in one, and while neither is especially original, by merging them Affleck pulls off a coup. First, he gives you espionage with the You Are There zing of a documentary. Then he serves up broad showbiz satire. For his final feat, he blends the two into a pulse-pounding nail-biter of a climax. And this all really happened. Most of it. Except for that climax.

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Movie Reviews
1:10 pm
Fri October 5, 2012

At College, A 'Pitch Perfect' Musical Comedy

Originally published on Tue October 16, 2012 4:23 pm

Transcript

DAVE DAVIES, HOST:

Actress Anna Kendrick was nominated for an Academy Award for her supporting role in "Up in the Air." Now she stars in the film musical, "Pitch Perfect," in which she plays a college freshman who reluctantly joins the school's illustrious all-female a cappella group. Director Jason Moore is best known for his work on the satirical Broadway musical, "Avenue Q." Film critic David Edelstein has this review of "Pitch Perfect."

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Movie Reviews
3:12 pm
Thu September 27, 2012

'Looper': Time-Travel Nonsense, Winningly Played

Old Joe (Bruce Willis) and his younger self (Joseph Gordon-Levitt), two iterations of the same assassin, play a particularly personal game of cat and mouse in the time-travel thriller Looper.
Alan Markfield Sony Pictures

I adore time-travel pictures like Looper no matter how idiotic, especially when they feature a Love That Transcends Time. I love Somewhere in Time with Christopher Reeve and Jane Seymour, The Time Traveler's Wife, even The Lake House with Keanu Reeves and Sandra Bullock in different years sending letters through a magic mailbox. So terrible. So good. See, everyone wants to correct mistakes in hindsight, and it's the one thing we cannot do. Except vicariously, in movies.

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Movie Reviews
10:33 am
Fri September 21, 2012

The Art Of Preserving A High School 'Wallflower'

Charlie (Logan Lerman), Patrick (Ezra Miller) and Sam (Emma Watson) navigate the joys and pains of high school in The Perks of Being a Wallflower.
John Bramley Summit Entertainment

Originally published on Fri September 21, 2012 11:57 am

The hero of both the novel and the film The Perks of Being a Wallflower is a high school freshman loner named Charlie whose best friend committed suicide the previous spring. He's on psychiatric meds, lots of them, and still has blackouts and mysterious visions of a doting aunt who died when he was 7.

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Movie Reviews
12:45 pm
Fri September 14, 2012

'The Master': Filling A Void By Finding A Family

Joaquin Phoenix stars as Navy veteran Freddie Quell in The Master.
Phil Bray The Weinstein Company

Paul Thomas Anderson's The Master is both feverish and glacial. The vibe is chilly, but the central character is an unholy mess — and his rage saturates every frame. He's a World War II South Pacific vet named Freddie Quell, played by Joaquin Phoenix to the hilt — the hilt above the hilt. We meet him at war's end on a tropical beach where he and other soldiers seek sexual relief atop the figure of a woman made out of sand.

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Movie Reviews
12:21 pm
Fri September 7, 2012

'Bachelorette' Sounds Dark Comedic Depths

Party Animals: Lizzy Caplan (from left), Isla Fisher and Kirsten Dunst play the brazen bridesmaids who make trouble for bride-to-be Becky (Rebel Wilson) in Bachelorette.
Radius-TWC

Originally published on Fri September 7, 2012 12:55 pm

Long before Bridesmaids convinced studio executives that a raunchy, female-centric comedy could find a huge audience, Leslye Headland was busy adapting her play Bachelorette into a movie. So this isn't a copycat rom-com, but the themes do overlap. Each film turns on a female rivalry: In Bridesmaids, it's between the maid of honor, Kristen Wiig, and the bride's rich friend, played by Rose Byrne. In Bachelorette, the rivalry is more complicated, more ... ugly. It's between the three, 30-ish, unmarried central characters and the bride.

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Movie Reviews
12:03 pm
Wed August 8, 2012

Sixty And Sexless, But 'Hope Springs' Eternal

In Hope Springs, Kay (Meryl Streep) forces Arnold (Tommy Lee Jones) into a week of couples therapy after she gets tired of — among other things — sleeping in separate bedrooms.
Barry Wetcher Sony Pictures

Originally published on Wed August 8, 2012 1:58 pm

The last time my 14-year-old daughter saw me and my wife being affectionate, she said, "Ewwww, old people kissing." Now, I'm not so old — barely half a century. But let's be frank. My daughter's no different from many people whose objects of fantasy are young and freakishly fit. So even a mild, cutesy little comedy like Hope Springs about two sexagenarians trying to have sex can seem shocking, even transgressive.

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Movie Reviews
11:22 am
Fri July 27, 2012

Two Films Shoot Past Realism To Weirder Territory

A Dallas hard-luck case (Emile Hirsch, left) hires a corrupt cop (Matthew McConaughey) to kill his estranged mother when he hears about her rich insurance policy. Needless to say, the plot of Killer Joe doesn't quite work out as planned.
Skip Bolen LD Entertainment

Originally published on Fri July 27, 2012 2:12 pm

Amid the slapstick comedies, sequels and superhero movies that have come to define summer moviegoing, two films opening today center on disturbed and disturbing romantic ties. Ruby Sparks and Killer Joe aren't fantasy or horror pictures, but they're within screaming distance — close enough to remind you how much deeper artists go when they barrel past realism into weirder areas of the psyche.

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Movie Reviews
4:55 pm
Wed July 18, 2012

As Class Warfare Brews, A 'Dark Knight Rises'

The Dark Knight Rises begins eight years after The Dark Knight, with Bruce Wayne (Christian Bale) living a reclusive life at his mansion alongside Alfred (Michael Caine). The movie is the finale of Christopher Nolan's Batman trilogy.
Ron Phillips Warner Bros. Pictures

Originally published on Fri July 20, 2012 10:54 am

The canvas is epic, the themes are profound, the execution is ... clunky. Welcome to Christopher Nolan's third and allegedly final Batman picture, The Dark Knight Rises — that so-called rising taking hours, by the way. No Batman film ever had less Batman.

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