Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

The next time somebody asks what makes Lori McKenna's 10th album one of 2016's best releases — and people should, because it is — the answer involves a root-beer popsicle. McKenna uses that homely metaphor a few verses into "Humble & Kind," a litany in 3/4 time that Tim McGraw recently took to the top of the country charts. McKenna wrote the song for her kids; she has five, and the youngest is almost in high school, so some life advice seemed in order.

For every country star and insurgent new sensation, Nashville boasts a dozen musicians who've perfected their art over many years. Tomi Lunsford is one such exceptional, undersung talent. She hails from a prestigious family — her great-uncle was the revered folklorist and songwriter Bascom Lamar Lunsford, and her father, fiddler Jim Lunsford, played with the likes of Roy Acuff and Bob Wills. Tomi herself began singing professionally as a teen with Jim and her harmonizing sisters.

In this age of peer-policed hyperproductivity, the practice of pausing and thinking is fetishized but rarely truly supported. Reflection has become yet another goal achieved through an app: something to show off on our socials within an anxiously curated stream of fresh plans, ideas and accomplishments. This is true for musicians just as it is for mommy bloggers and tech entrepreneurs. Time spent outside the spotlight, it's assumed, isn't quiet time, but another occasion for overwork.

Breakups are heart-shattering, life-changing, momentously difficult, clinically depressing, spiritually enlightening, and many other things. They can also, at times, be tedious. Dodging vindictiveness, awkward silence and plain unavoidable pain becomes a consuming preoccupation. Good-party rage and bad-party guilt collide in breakfast nooks.

Revivalism in music often seems to be no more than a matter of style: a perfectly greased pompadour, a well-pressed rack of vintage dresses, some vintage equipment and the careful mimicry of a particular "hi-de-ho" or drawl. It's the rare living musician who does the extra work to comprehend the past she or he pursues in its entirety, from the flashiest trends of the time to the notes in the margins. Paul Burch is that extra-hard worker who also happens to be gifted with an easeful way of getting his messages across.

"I think songs can have different lives," said Rhiannon Giddens in the conversation that flowed throughout NPR Music's "Songs We Love: Americana Fest Edition" panel on September 16 at Nashville's historic RCA Victor Studio A. "Each song has its own way that it likes to be done, but it can be more than one way," the Carolina Chocolate Drops multi-instrumentalist and singer continued. "If you tap into it, you can feel it."

So much history is contained in the intertwined harmonies of The Fairfield Four and The McCrary Sisters. Together, these groups form a link to one of America's greatest singing traditions — that of the gospel quartet, which flourished at the center of sacred music in the early to mid-20th century and inspired early rock 'n' rollers from doo-wop groups to Elvis Presley.

Gala event tribute speeches are often so much fluff—in the right hands, however, they ascend to the level of the poetic. On Wednesday night in Nashville, Robyn Hitchcock's paean to his longtime friends and collaborators Gillian Welch and David Rawlings hit that high mark. Handing them a Lifetime Achievement prize at the Americana Honors and Awards, Hitchcock wove a tale that was also a dream history of American roots music itself. It was so good we decided to publish it. Do they give awards for awards show speeches? The man in the polka-dot shirt deserves one.

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