Anastasia Tsioulcas

Anastasia Tsioulcas is a reporter and producer for NPR Music. She reports on a wide range of musical genres and music-industry topics for NPR's flagship news programs as well as for NPR Music.

Tsioulcas is intensely interested in the arts at the intersection of culture, politics, economics and identity. She has profiled musicians and dancers in contemporary Cuba, a punk drummer from Washington, DC who raced to preserve the artistic traditions of pre-civil war Syria, a band of Muslim and Jewish musicians from Algeria reunited after 50 years, and an interfaith group from Texas rooted in a 700-year-old singing tradition from south Asia. She has also brought listeners into the creative process of musicians like composers Steve Reich and Terry Riley.

As a video producer, she has created some of NPR Music's high-profile music documentaries and performances, including bringing cellist Yo-Yo Ma to a Brooklyn theatrical props warehouse and pianist Yuja Wang to an icy-cold Steinway & Sons piano factory in Queens. Tsioulcas also produces some of the episodes in NPR Music's much-lauded Tiny Desk Concert series, and has hosted live concerts from venues like the Metropolitan Museum of Art and New York's (Le) Poisson Rouge. She has also commissioned and produced several world premieres on behalf of NPR Music, including a live event that brought together 350 musicians on the steps of the Brooklyn Public Library.

Tsioulcas has reported from across Europe, north and west Africa, south Asia and Cuba for NPR and other outlets. Prior to joining NPR in 2011, she was widely published as a writer and critic on both classical and world music, and was the North America editor for Gramophone Magazine and the classical music columnist for Billboard.

Born in Boston, Tsioulcas was trained from an early age as a classical violinist and violist. She holds a B.A. from Barnard College, Columbia University in comparative religion.

It's become a trope that artists aren't interested in being limited by genre — at least the really fascinating ones, that is. One of the most enjoyable current examples of this reach beyond stylistic divides is Almanac, the newest project from the string quartet Brooklyn Rider.

Flutist Yukie Ota spoke with NPR's Scott Simon about her encounter with a too-friendly insect this week; hear their conversation at the audio link and read on to learn more.

Throughout this month, the Brooklyn Academy of Music's signature Next Wave Festival is celebrating a record label with which it shares history and purpose: Nonesuch, marking its 50th anniversary this year.

Italian-American lyric soprano Licia Albanese, known for her deeply felt character portrayals, died Friday at her home in New York, her son, Joseph Gimma, told NPR Music Saturday. She was 105 years old.

Last month, The New Yorker announced that it was teasing a new "freemium" version of its website (which launches this fall) with an alluring proposition. All of its most recent pieces, plus the full archives back to 2007 and some even older selections, are free for the rest of the summer.

So we took this opportunity to dig up some delicious classical music-minded pieces from the magazine's archives. They're perfect long reads for a lazy August afternoon.

Composer John Luther Adams has been enjoying enormous success.

We at NPR Music leave a lot of variables out in the wild when we make Field Recordings. That's especially true when we commission new music for the annual Make Music New York festival, as we have for three years.

Since we're not using a traditional stage and people are roaming around, we don't know exactly what the performance will sound like (though we're lucky to work with fantastic engineering colleagues). It's always held outdoors, and we can't be sure what the weather will be.

Update Wednesday, June 25, 2014: A representative from Sotheby's tells NPR that the instrument did not sell "at this time."

Wednesday, Sotheby's auction house plans to announce the sale of a rare viola made by Antonio Stradivari. The minimum bid is $45 million. If it sells, it will be the most expensive instrument of any kind in history.

Here's an old musician joke: How do you keep your violin from getting stolen? Put it in a viola case.

When we plan Field Recordings, we usually look far and wide to find off-the-beaten-path locations for filming musicians. But a unique opportunity presented itself when a duo called Wanderlust Projects — designers of "transgressive placemaking experiences" for urban explorers, usually in abandoned or otherwise off-limits places — invited us to come along on an adventure.

Many of us at NPR Music fell hard for Arizona's Sergio Mendoza and his band La Orkesta this year. Together, they mix myriad Latin styles — what Mendoza calls "indie mambo," salted with generous handfuls of cumbia, merengue and ranchera — and then feed all that through a psychedelic prism. They perform their songs with charm and panache, set off by the fireworks of the group's resident showman, the multi-talented Salvador Duran.

An astonishing conversation has emerged in the weeks since Irish mezzo-soprano Tara Erraught began her run as Octavian at the Glyndebourne Festival in England. Erraught was excoriated by a handful of male London critics for her weight — prompting a widespread backlash on her behalf in the aftermath of those reviews.

Star mezzo-soprano Joyce DiDonato gave the 2014 commencement address at Juilliard Friday — and it's a memorable one, both for her words and by DiDonato's own example as someone whose own career began under low heat.

Composer and singer-songwriter Gabriel Kahane says that the inspiration for his new album, The Ambassador, is 10 buildings in Los Angeles — appropriate, given what a gifted musical architect he is.

Sometimes we like to turn things up really loud, especially in the summertime. So for this year's edition of Make Music New York, we commissioned Sunny Jain, founder of Red Baraat, to write a new song that would kick off the season in massive, marching-band style. He came back to us with "100+ BPM."

Here's the starting point for the story of Seun Kuti: He's the youngest son of Afrobeat pioneer Fela Kuti. He began playing with his father's band Egypt 80 at age 8 — and took it over upon his father's death just six years later.

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