Anastasia Tsioulcas

Anastasia Tsioulcas is an Associate Producer for NPR Music. In this role she is responsible for producing, blogging and occasional reporting on classical and world music.

Tsioulcas is co-host of NPR's classical music blog, Deceptive Cadence, and also produces live concert webcasts, ranging from Member Station co-productions to other live concerts and special events, including Field Recordings and Tiny Desk Concerts, that she's helped curate and produce.

While here at NPR, Tsioulcas has produced, coordinated and reported on a variety of topics and initiatives including rallying a few hundred singers to Times Square for a "flash choir" to sing the world premiere of a new Philip Glass piece, commissioned by NPR Music. Tsioulcas also had the opportunity to speak with Pulitzer Prize-winning composer Steve Reich about his piece WTC 9/11 and she produced and co-hosted a live concert at (Le) Poisson Rouge with legendary conductor Daniel Barenboim and his West-Eastern Divan Orchestra, comprised of players from Israel and across the Arab world.

Prior to joining NPR in April 2011, she was widely published as a writer on both classical and world music, and was the former North America editor for Gramophone Magazine and the classical music columnist for Billboard. She has also been an on-air contributor to many public radio programs, including WNYC's Soundcheck, Minnesota Public Radio's The Savvy Traveler, Public Radio International's Weekend America, and the BBC's The World. As a world music journalist, she has reported from across north and western Africa, South Asia and Europe on the music and culture of those regions.

Born in Boston, Tsioulcas was trained from an early age as a Western classical violinist and violist. She holds a BA from Barnard College, Columbia University in comparative religion.

These days, the idea of home is on the mind of the fantastically gifted singer, songwriter and instrumentalist Rokia Traoré. It's been four years since Mali, Traoré's native west African country, began descending into ongoing bedlam.

There are very few guarantees in life. But one of them must — must! — be that as soon as you hear "Made in Tribu Baharú," you'll start moving. (I promise.) It's a song from Tribu Baharú, a band from Bogotá, Colombia — and the sextet's high-energy, abundantly joyful calls to the dance floor belie a complicated history.

French composer and conductor Pierre Boulez was one of the most recognized figures in 20th century classical music. His outspoken advocacy for the music of his time earned him fans — and detractors. He died Tuesday at his home in Baden-Baden, Germany. He was 90 years old.

Just as the chaos of World War II was coming to an end, Pierre Boulez was emerging into his life as an artist.

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When you think of Cuban music, contemporary classical most likely isn't the first — or possibly even fifth — genre that springs to mind. But a group of American composers and musicians couldn't resist an opportunity to travel to the island to present their own music and seek out their Cuban colleagues' work — and frankly, neither could I. We traveled together last month to the Havana Festival of Contemporary Music, for the event's 28th edition.

A battle between upbeat, finely crafted pop and politically minded hip-hop seems to be what's shaping up for the biggest prizes at this year's Grammy Awards. The nominees were announced this morning, in advance of the awards ceremony on Feb. 15.

Over the course of a career that lasted some sixty years, pianist, producer and songwriter Allen Toussaint's music and sound became a hugely influential force for artists working in many different genres. Toussaint died on Monday night in Madrid, at the age of 77.

As the news has spread, artists and other luminaries have been pouring out their grief on social media. Here's a selection of their tributes.

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