This is WEEKEND EDITION from NPR News, I'm Scott Simon. Time for sports.
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SIMON: L.A. topsy-turvy with the Clippers now the top NBA team in town, while the Lakers try to pick themselves up with a new coach. And remember those three NFL quarterbacks who were knocked out of their games last week? A couple of them kept playing. NPR's Tom Goldman joins us now.
Originally published on Sun November 18, 2012 8:29 am
SCOTT SIMON, HOST:
The violence in Gaza is the first escalation of this intensity since uprisings in the Arab world almost two years ago. We're joined now by Rob Malley. He's with the International Crisis Group. He joins us from Dubai. Mr. Malley, thanks so much for being with us.
ROB MALLEY: Thanks for having me.
SIMON: And do you think a ground war is just a matter of time?
It's no wonder that pianist Bill Charlap loves the music that has come to be called The Great American Songbook — the songs of great Tin Pan Alley composers such as Jerome Kern, George Gershwin and Irving Berlin. He grew up with it. Charlap was born and raised in New York, the son of Moose Charlap (a Broadway composer) and Sandy Stern, a self-described "popular singer with jazz overtones."
As President Obama and congressional leaders started negotiations Friday to find a way to avoid the nation's going over the fiscal cliff, it was fairly plain that even some of those who are wisest in the ways of Washington couldn't agree on whether policymakers would actually be able to prevent the federal government from becoming a cliff diver.
Watching Mary Tyler Moore while he was growing up, city planner Jeff Speck saw a different view of urbanity. It stood out amongst the crime-ridden urban settings of other favorite TV series.
Millenials, Speck says, have an even broader vision of what city life means, thanks in part to Seinfeld, Friends and Sex and the City.The neighborhood coffee shops and carless characters show viewers a "walkable" city.
Leo Tolstoy's Anna Karenina weighs in at close to 1,000 pages, whatever the translation. And since it appeared in the 1870s, it has often been acclaimed as one of the finest novels ever written. It's also been adapted for film or television at least a dozen times — including a sweeping and highly theatrical new version directed by Joe Wright.
Keira Knightley plays the unhappily married Anna, with Jude Law as her chilly, correct husband, and Aaron Taylor-Johnson as Count Vronsky, the dashing cavalry officer whose love for Anna leads to tragedy.