Originally published on Thu January 17, 2013 1:15 pm
NEAL CONAN, HOST:
This is TALK OF THE NATION. I'm Neal Conan in Washington. Rockefeller won't run again, Treasury kills the trillion-dollar coin, and the president calls on Congress to pony up. It's Wednesday, and time for a ...
UNIDENTIFIED MAN #1: Deadbeat.
CONAN: ...edition of the Political Junkie.
(SOUNDBITE OF ARCHIVED RECORDINGS)
RONALD REAGAN: There you go again...
WALTER MONDALE: When I hear your new ideas, I'm reminded of that ad - where's the beef?
Originally published on Wed January 16, 2013 2:48 pm
How evil is sugar? That's long been a hard question for researchers to answer. Most of the studies about sugar's health effects to date have been too small, too short-term, or too poorly designed to nail it one way or another.
Originally published on Wed January 16, 2013 2:09 pm
At a White House event with children who wrote him letters after the Dec. 14 school shooting in Newtown, Conn., President Obama today said the nation cannot wait any longer to do what can be done to reduce gun violence.
Finally today, in less than a week the country will celebrate President Obama's second term with a slew of inaugural events. There is a swearing in, a parade, breakfasts, lunches, and of course the balls. And there are many of them, but we want to tell you about one of them. It is the Native Nations Inaugural Ball. Native Americans from around the country will be coming in to participate.
Sweet and hot: That's the sound that French-born, Brooklyn-based guitarist Stephane Wrembel brought to his intimate early set in The Studio, globalFEST's smallest space. Wrembel specializes in jazzmanouche, or so-called "Gypsy" jazz — and his set with his quartet showed off the sparkling, speedy fingerwork already familiar to fans of Woody Allen, who has used Wrembel's music in his films Vicky Cristina Barcelona and Midnight in Paris.
Based in Los Angeles and fronted by the smoky-voiced Marisol Hernandez, the fast-rising band La Santa Cecilia splices and dices an array of Mexican and South American sounds in its songs, from Mexican norteño and ranchera to Colombian cumbia. Here, its members perform smart originals and covers of U2's "One" and Soft Cell's "Tainted Love" — all with a wry, old-soul knowingness. La Santa Cecilia has already received a Latin Grammy nomination in 2011, but with this GlobalFEST appearance, it's poised to break out to a broader audience.
Martha Redbone's music chronicles the crossroads of the American experience. Born in Kentucky and of Cherokee, Choctaw and African-American descent, Redbone combines folk, Appalachian, soul and Native tradition in a group of settings of poetry by William Blake — a startling idea, perhaps, but one that brims with potency and freshness.
The soulful Persian classical virtuoso and composer Kayhan Kalhor has long been interested in creating artistic bridges to other musicians and styles, including in his work with Yo-Yo Ma's Silk Road Project and a long-term collaboration with the Indian sitarist Shujaat Khan.
The night ended with bumping beats down at Webster Hall's Studio space with the Ottawa-based Native collective A Tribe Called Red. The group calls its style "pow wow step" — an imaginative and dance-floor-ready blend of beats, aboriginal singing and dancing, and visuals and audio samples that turn "Indian" stereotypes on their heads. But the most memorable moments in the set come when A Tribe Called Red invites a dancer out to perform a traditional hoop dance, twisting and turning hoops into elegant and beautiful figures.